Das Ende – Assault On Precinct 13
6 Userkritiken zum Film Das Ende - Assault on Precinct 13 von Jean-François Richet mit Ethan Hawke, Laurence Fishburne, John Leguizamo. Vor dieser Nacht gibt es kein Entkommen! In der verschneiten Silvesternacht – der letzten Nacht, bevor das abgelegene Detroiter Polizeirevier im Distrikt. Das Ende - Assault on Precinct (89)1 Std. 44 Min Das Polizeirevier 13 erwartet ruhige Feiertage bis ein Gefängnistransport mit Schwerkriminellen.
Das Ende – Assault On Precinct 13 Beschreibung
Ein Gefängnistransport mit Schwerkriminellen bleibt im heftigen Schneegestöber unweit des Reviers 13 liegen. Die Häftlinge, darunter der skrupellose Mörder Marion Bishop, werden für die Nacht in die dort liegenden Zellen gesperrt. Als plötzlich. Das Ende – Assault on Precinct 13 – Wikipedia. cyberpejsek.eu: Finden Sie Das Ende - Assault on Precinct 13 in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert. Das Ende - Assault on Precinct (89)1 Std. 44 Min Das Polizeirevier 13 erwartet ruhige Feiertage bis ein Gefängnistransport mit Schwerkriminellen. Entdecke die Filmstarts Kritik zu "Das Ende - Assault on Precinct 13" von Jean-François Richet: Silvester im verschneiten Detroit. Das heruntergekommene 6 Userkritiken zum Film Das Ende - Assault on Precinct 13 von Jean-François Richet mit Ethan Hawke, Laurence Fishburne, John Leguizamo. Das Ende – Assault on Precinct 13 - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | cyberpejsek.eu
6 Userkritiken zum Film Das Ende - Assault on Precinct 13 von Jean-François Richet mit Ethan Hawke, Laurence Fishburne, John Leguizamo. Das Ende - Assault On Precinct 1 Std. 48 Min+. Kurz bevor die baufällige Polizeiwache 13 in Detroit abgerissen wird, steht ihr eine stürmische. Das Ende – Assault on Precinct 13 - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | cyberpejsek.eu This is a list of hight quality "short" films. Holloway Dorian Harewood : Gil. Es The Walking Dead Staffel 3 Stream sich heraus, dass es Jasper war, der sie verraten hat. What did you think of the movie? Sci-fi Online. During the Pro7 App, three sequences of events occur parallel to one another: First, Lieutenant Ethan Bishop, a newly promoted CHP officer, is assigned to take charge of the decommissioned Anderson police precinct during the last few hours before it is permanently closed.
Das Ende – Assault On Precinct 13 - NavigationsmenüSonst hätte dieses Remake eines Klassikers leider nicht gedreht werden können. Für einen unterhaltsamen Filmabend aber allemal zu empfehlen!
Das Ende – Assault On Precinct 13 Das Ende ВЂ“ Assault On Precinct 13 Navigationsmenü VideoAssault On Precinct 13 - John Carpenter Cover
Das Ende – Assault On Precinct 13 Contribute to This Page VideoDAS ENDE/ASSAULT ON PRECINCT 13 (1976) - Deutscher Trailer
Das Ende – Assault On Precinct 13 51 User-KritikenDieser muss auf Grund eines Schneesturmes dessen Schutz aufsuchen. Er gibt seinem Charakter die nötige Glaubwürdigkeit und Tiefe. Wenn auch auf nicht sehr hohem Niveau. Im weiteren Verlauf sterben Beck und Smiley, nachdem sie fliehen wollten. User folgen Lies die Searching 2019 Kritiken. Neben den üblichen Versagern und Kleinkriminellen ist aber auch ein hochkarätiger Gangster an Bord Lawrence Fishburne. Ist es vielleicht möglich solche Filme ohne ewige Fäkalsprache zu synchronisieren. Den Helden gelingt es, das Revier zu verlassen.
Das Ende – Assault On Precinct 13 Navigationsmenü VideoAssault On Precinct 13 (1976) Commentary Vor dieser Nacht gibt es kein Entkommen! In der verschneiten Silvesternacht – der letzten Nacht, bevor das abgelegene Detroiter Polizeirevier im Distrikt. Das Ende - Assault On Precinct 1 Std. 48 Min+. Kurz bevor die baufällige Polizeiwache 13 in Detroit abgerissen wird, steht ihr eine stürmische. Über Blu-ray Filme bei Thalia ✓»Das Ende - Assault on Precinct 13 - Mediabook [2 BRs]«und weitere Blu-ray Filme jetzt online bestellen!
Das Ende – Assault On Precinct 13 - Weitere FormateVor allem die klaustrophobischen Bilder aus der Enge des Reviers überzeugen. Das heruntergekommene Brian Dennehy ist, wenn auch sichtbar gealtert, immer noch der Haudegen vom Dienst, Laurence Fishburne agiert ähnlich stoisch wie in Matrix und Gabriel Byrne gewinnt seinem stereotypen Bösewicht mangels Ansatzpunkt keine neuen Facetten ab. Seine Psychiaterin entpuppt sich selbst als Zwangsneurotikerin. Dort werden sie von Marcus Duvall, dem Anführer der Belagerer, empfangen. Wer’S Glaubt Wird Selig Stream beiden Wärter, die die Gefangenen begleitet haben, sterben. Sonst hätte dieses Remake eines Klassikers leider nicht gedreht werden können. Die Tv Programm Geute, relativ aussichtlose Atmosphäre kommt an einigen Stellen gut rüber, aber in manchen Szenen kommt diese Stimmung dann wieder nicht so richtig auf. Polizeirevier wird abgewickelt, es soll um Mitternacht geschlossen werden. User folgen 2 Netflix 4 Blocks Lies die 60 Kritiken.
One of the warlords shoots and kills a little girl, Kathy, and the driver of an ice-cream truck. Kathy's father, Lawson, pursues and kills the warlord and the other gang members chase him into the Anderson precinct.
In shock, Lawson is unable to communicate to Bishop or Chaney what has happened to him. Just before this, a prison bus commanded by Starker stops at the station to find medical help for one of three prisoners being transported to the state prison.
The prisoners are Napoleon Wilson, Wells, and Caudell, who is sick. As the prisoners are put into cells, the telephone lines go dead, and when Starker prepares to put the prisoners back on the bus, the gang opens fire on the precinct, using weapons fitted with silencers.
In seconds, they kill Chaney, the bus driver, Caudell, Starker, and the two officers accompanying Starker. Bishop unchains Wilson from Starker's body and puts Wilson and Wells back into the cells.
When the gang members cut the station's electricity and begin a second wave of shooting, Bishop sends Leigh to release Wells and Wilson, and they help Bishop and Leigh repel an attempted invasion, though Julie is killed in the firefight.
Meanwhile, the gang members remove all evidence of the skirmish to avoid attracting outside attention.
Bishop hopes that someone has heard the police weapons firing, but the neighborhood is too sparsely populated for nearby residents to pinpoint the location of the noise.
Wells is chosen to sneak out of the precinct through the sewer line and hot-wire a car, but is killed by a gang member hiding in the back seat.
However, two police officers responding to reports of gunfire find the dead body of a telephone repairman hanging from a pole near the police station and call for backup.
As the gang rallies for an all-out final assault, Wilson, Leigh, and Bishop retreat to the basement, taking the still-catatonic Lawson with them.
The gang then storms the building and rushes the survivors, who protect themselves with a large, durable sign. Bishop shoots a tank full of acetylene gas, which explodes and kills all the gang members in the basement.
The remainder of the gang flees as more police support arrives to secure the station. Venturing down into the basement, the police officers find dozens of dead and badly-burned gang members strewn about the hallway; the only survivors are Bishop, Leigh, Wilson, and Lawson.
Lawson is wheeled out on a stretcher, while Leigh refuses medical help for the gunshot wound in her arm and walks off.
An officer tries to cuff Wilson, but Bishop angrily stops him and asks Wilson to walk out of the station with him.
Following the release of Dark Star , Assault and a second script entitled Eyes were supposed to be two low-budget films written and directed by John Carpenter, with financing by J.
Stein Kaplan. The two families of the producers formed the CKK Corporation to finance the film. Chance " for his original version of script, entitled The Anderson Alamo , but he used his own name for the writing credit on the completed film.
Carpenter's script makes many allusions to film history and inspirations for this film. It has many references to the films of Howard Hawks.
Assault underwent several months of preproduction. The two leads were Austin Stoker, who had appeared previously in Battle for the Planet of the Apes and Sheba, Baby , and Darwin Joston, who had worked primarily in television and was also Carpenter's next-door neighbor.
It was typical of John during those lean days. He made the very best of whatever talent and facilities he had around him.
Two weeks of shooting indoors were followed by two weeks on-location. The first scene, in which several gang members of Street Thunder are gunned down by cops, was shot at USC.
The gang members were played by USC students, who Carpenter remembered had a lot of fun finding ways of dying while spilling blood over themselves.
This looked like a zillion dollars. This looked like a real movie. One of the film's distinctive features is its score, written in three days by John Carpenter  and performed by Carpenter and Tommy Lee Wallace.
The main title theme, partially inspired by both Lalo Schifrin 's score to Dirty Harry and Led Zeppelin 's " Immigrant Song ",  is composed of a pop synthesizer riff with a drum machine underneath that "builds only in texture, but not thematically," according to David Burnand and Miguel Mera.
A held, high synthesizer note, with no other changes except inner frequency modulations, becomes the musical motif of the gang members, and reoccurs during certain violent acts in the film.
In the film, synthesizers and drum machines represent the city and the gang. Carpenter also uses a plaintive electric piano theme when Lt.
Bishop first enters the abandoned precinct. It reoccurs in the film during the quiet moments of the siege, becoming in effect a musical articulation of rhythm of the siege itself.
Many film critics who praised the film also praised the musical score by Carpenter. The final result was a unique, synthetic sound that is still quite catchy, even after 20 years … Delightfully, it even serves as a counterpoint in one important scene.
A vocal version of the theme, titled You Can't Fight It , with lyrics and production by Kenny Lynch , was recorded by Trinidad singer Jimmy Chambers and released in the UK as a 45 on the Pye label in April , but it failed to chart and is now a rare item.
Beyond its use in the film, the score is often cited as an influence on various electronic and hip hop artists with its main title theme being sampled by artists including Afrika Bambaataa , Tricky , Dead Prez , and Bomb the Bass.
Despite this influence, except for a few compilation appearances,  : — the film's score remained available only in bootleg form until , when it was given an official release through the French label, Record Makers.
Carpenter edited the film using the pseudonym John T. Chance, the name of John Wayne 's character in Rio Bravo ; his frequent collaborator Debra Hill served as assistant editor.
One mistake Carpenter was not proud of was one shot "cut out of frame", which means the cut is made within the frame so a viewer can see it. Assault was shot on Panavision , which takes up the entire negative, and edited on Moviola , which cannot show the whole image, so if a cut was made improperly i.
In the end, it did not matter because he said, "It was so dark, no one could see it, thank God! Tommy Lee Wallace , the film's art director, spoke admirably about Carpenter during post.
The answer, of course, was 'Sure! Finally, he insisted we get the best post-production sound money could buy, which was Samuel Goldwyn Sound, another legend.
The expense for this unorthodox approach ate up a huge amount of the budget. The production manager fumed that we were exploiting people to pay for processing— and it was true.
Although the film's title is Assault on Precinct 13 , the action mainly takes place in a police station referred to as Precinct 9, Division 13, by Bishop's staff sergeant over the radio.
The film's distributor was responsible for the misnomer. Carpenter originally called the film The Anderson Alamo  before briefly changing the title to The Siege to shop to distributors.
The moniker "Precinct 13" was used to give the new title a more ominous tone. The most infamous scene in the movie occurs when a gang member casually shoots a little girl Kathy standing near an ice-cream truck, with her death being shown in graphic, bloody detail.
The film eventually received an R rating  and has a running time of 91 minutes. Assault was first released in Los Angeles at the State Theater on November 3, , to mixed reviews and unimpressive box-office earnings.
John Carpenter's direction of his screenplay, after a pokey opening half, is responsible for the realistic movement. At this point in their professional relationship, O'Bannon was jealous of Carpenter's success and reluctantly attended the premiere.
O'Bannon was disgusted by the film and told Carpenter so. According to author Jason Zinoman , O'Bannon saw a reflection of the coolness that Carpenter displayed toward him in the film's casual disregard for the humanity of its characters.
It reminded him of how easily their friendship had been discarded. The film opened at the Cannes Film Festival in May , where it received favorable notices from some of the British critics.
Romero , who was at the festival with his film Martin. John Carpenter, whose small-budget science-fiction epic Dark Star was widely acclaimed, has turned his inventive imagination to the thriller for his first solo directional effort.
The result, even without taking into consideration his tiny budget and cast of unknowns, is astonishing. Assault on Precinct 13 is one of the most powerful and exciting crime thrillers from a new director in a long time.
It grabs hold of the audience and simply doesn't let go as it builds to a crescendo of irrational violence that reflects only too well our fears of unmotivated attack It is a frightening look at the crumbling of rational ideas of law and order under an irresistible attack by the forces of irrationality and death.
Wlaschin found Assault to be the best film of the London Film Festival and included it in his "Action Cinema" section of that festival. The overwhelmingly positive British response to the film led to its critical and commercial success throughout Europe.
Derek Malcolm of Cosmopolitan wrote, "[The film] is fast becoming one of the cult movies of the year The great virtue of the film is the way it grabs hold of its audience and simply refuses to let go.
It exploits all our fears of irrational violence and unmotivated attack, and at the same time manages to laugh at itself without spoiling the tension - a very considerable feat.
Carpenter, who is clearly a director with places to go, has succeeded in making a comedy that scares the pants off us. And don't think you're laughing at it.
As a matter of fact, it's laughing at you. Subsequently, the film underwent reassessment by American critics and audiences, and it is now generally considered one of the best action films of the s.
When playing at the Chicago International Film Festival in , the film was described in the program notes as, " Over the years, the film has received acclaim from critics, emphasizing John Carpenter's resourceful abilities as director, writer, editor, and music composer, and Douglas Knapp's stylish cinematography, as well as exceptional acting from Austin Stoker, Darwin Joston, Laurie Zimmer, and Tony Burton.
Carpenter's ' Halloween ,' though it's not really about anything more complicated than a scare down the spine. A lot of its eerie power comes from the kind of unexplained, almost supernatural events one expects to find in a horror movie but not in a melodrama of this sort … If the movie is really about anything at all, it's about methods of urban warfare and defense.
Carpenter is an extremely resourceful director whose ability to construct films entirely out of action and movement suggests that he may one day be a director to rank with Don Siegel.
It's a modern day version of Howard Hawks' Rio Bravo , with exceptional performances by the entire cast.
Tim Pulleine of The Guardian described the film as superficial despite successfully meeting the requirements of the genre. The film is recognized by American Film Institute in these lists:.
Assault on Precinct 13 is now considered by many to be one of the greatest and most underrated action films of the s, as well as one of the best, if not the best, films in John Carpenter's career.
A trim, grim, vicious, and incredibly effective action movie with no cut comic-relief bit players, no winks at the audience, and no stars.
Just a powder keg of a premise lifted in part from Howard Hawks's Rio Bravo , in which a quasiterrorist group's killing spree culminates in the action described in the title.
Carpenter's mastery of wide-screen and almost uncanny talent at crafting suspense and action sequences make Assault such a nerve-racking experience that you may have to reupholster your easy chair after watching it at home.
In , Alan Jones of Starburst said Assault is "arguably still the best film [Carpenter] ever made. Club also ranked Assault at No.
Carpenter's made many different kinds of movies over the course of his long career, but he hasn't gotten to return often enough to terse tales of gun-toting heroes and villains.
Chang describes the film. Instead of Indian braves, Zulu warriors, or graveyard zombies, Assault on Precinct 13's heroes defended themselves in a desolate police station against marauding waves of dark, heavily armed gang members seeking revenge for their cop-killed brothers.
In his fifth edition of The New Biographical Dictionary of Film in , film historian David Thomson described Assault as "a Hawksian set of a police station besieged by hoodlums - economical, tense, beautiful, and highly arousing.
It fulfills all Carpenter's ambitions for gripping the audience emotionally and never letting go. This is because there is an overriding vision, a consistency to Carpenter's work that rewards repeat viewing and presents a single unifying world view.
A viewer less fond of the original, or even unfamiliar with the original, may like Assault better than I did. I may have even liked it better if the original were not so fresh in my memory I just watched it again it recently--a review is forthcoming.
There are enough redeeming aspects for action fans to make it worth at least a rental or a viewing on cable, but approach the film with lowered expectations.
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Um der Übermacht zu trotzen, bewaffnet Roenick nach anfänglichem Zögern die Gefangenen. Bishop klärt ihn auf, dass die Angreifer nicht gekommen sind, um ihn zu befreien, sondern korrupte Polizisten sind, die ihn zum Schweigen bringen wollen.
Als der Kollege Kevin Capra auftaucht und sich mit Roenicks Hilfe nur mit Not aus dem Kugelhagel ins Gebäude retten kann, wird er zunächst für einen Komplizen der Angreifer gehalten — von Roenick jedoch verteidigt.
Im weiteren Verlauf sterben Beck und Smiley, nachdem sie fliehen wollten. Auch Alex Sabian und Anna werden bei einem Fluchtversuch erschossen.
Dort werden sie von Marcus Duvall, dem Anführer der Belagerer, empfangen. Es stellt sich heraus, dass es Jasper war, der sie verraten hat.
Dieser will nun Bishop hinrichten, wird jedoch durch eine von diesem gezündete Blendgranate schwer verletzt. Roenick und Bishop können in einen nahegelegenen Wald flüchten, doch gelingt es ihnen nicht, den mit Nachtsichtgeräten ausgerüsteten korrupten Polizisten zu entkommen.
Bevor Duvall Bishop töten kann, wird er von Roenick erschossen, der dabei auch getroffen wird. Roenick lässt Bishop flüchten und verrät ihn nicht, als er von Iris, der Feuerwehr und der eintreffenden Polizei gefunden wird.
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Inhaltsangabe: Silvester im verschneiten Detroit. Visa-Nummer -. Suchen und Finden. Teile des Inhalts werden von Tivo Corporation bereitgestellt.
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